The Journal of the Royal Anthropological Institute 16(3)Sept): 515–531. Discourse on the Invisible: Senses as Metaphor among the Aruwund (Lunda). After 1899, however, his suffering from chronic asthma, the death of his parents and his growing disillusionment with humanity caused him to lead an increasingly retired life. In his twenties he became a conspicuous society figure, frequenting the most fashionable Paris salons of the day. Improbable Intimacy: Otobong Nkanga’s Grafts and Aggregates. Marcel Proust was born in Auteuil in 1871. Centre for African Studies, University of Basel. Series: Research Colloquium Reversing the Gaze. From the French intellectual, novelist, essayist, and one of the greatest writers of the twentieth century: the third and final volume of his monumental. by Pericles Lewis Marcel Proust ’s Remembrance of Things Past (1913-1927), also known by a more literal translation of its French title, In Search of Lost Time, is the only modernist novel that has a fair claim to being as important in the history of the genre as James Joyce’s Ulysses. Politics of Nature: How to Bring the Sciences into Democracy. A profound reflection on art, time, memory, self and loss, it is often viewed as the definitive modern novel. Dialogues on Agential Realism: Engaging in Worldings through Research Practice. Paperback Shop now Summary Prousts masterpiece is one of the seminal works of the twentieth century, recording its narrators experiences as he grows up, falls in love and lives through the First World War. Julskjuer, Malou, Helle Plauborg, and Stine Adrian, eds. Staying with the Trouble: Making Kin in the Chthlucucene. Gandorfer, Daniela, and Ayoub, Zuleikha, Hrsg. New Materialisms: Ontology, Agency, and Politics. The madeleine ( French pronunciation: mad.ln, English: / mdlen / or / mdlen / 1) or petite madeleine ( p.tit mad.ln) is a traditional small cake from Commercy and Liverdun, two communes of the Lorraine region in northeastern France. Durham: Duke University Press.Ĭoole, Diana, and Samantha Frost, eds. Vibrant Matter: A Political Ecology of Things. Seeking an understanding of mikoba as visible objects, but also highlighting the weight materially borne by the powerful word ‘ mikoba’ itself, this chapter proposes that mikoba crystallize ideas about knowledge, personhood, and learning, as well as about inheritance and re(-)membering-that is, about connections between the past and future. Acknowledging the challenges of conducting traditional ethnographic research in pandemic times, it considers the potential contribution of scholarship concerned with ‘new materialisms’ and the materiality of language in particular to the work of imagining from a distance, when a longed-for object is unreachable. It begins by introducing Maua, a woman who finds belonging in her marital village by weaving beautiful mikoba that everybody wants. This chapter offers a series of reflections on Swahili mikoba ya ukili-hand-woven bags understood in Zanzibar as ‘traditional’ and deeply ‘local’-and their participation in social life as well as in visions of the person and of legacy.
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